Shoot The Moon presents ‘Glass Menagerie’
Xoe Perra Glass
Arts

Shoot The Moon presents ‘Glass Menagerie’

BRATTLEBORO — Shoot The Moon Theater Company will open its 2018 season with a production of The Glass Menagerie at the Hooker-Dunham Theater, Friday through Sunday, May 4-6, and Thursday through Saturday, May 10-12.

The 1944 memory play that established Tennessee Williams as a major literary voice continues to be a staple in the repertory of most theater companies, including regular productions on Broadway. But artistic director Josh Moyse said the choice is uncharacteristic for Shoot The Moon, which has forged its reputation on original works and literary adaptations

“It almost feels like cheating. I turn the page and the words are already there,” Moyse said in a news release.

Moyse said the original inspiration for choosing the show came from the acting class he teaches at Landmark College.

A student who identifies as gender-neutral performed the opening monologue by lead character, Tom Wingfield, in drag, adding a contemporary layer to the subtext of Tom's ambiguous sexuality and the dynamic that plays out between Tom, his mother, Amanda, and his sister, Laura.

To that end, Moyse has cast regular company member Josh Goldstein in the role of Amanda, who domineers over her children - Tom (played by Elias Burgess) and Laura (Xoe Perra) - both in advance of, and during, a visit by Jim O'Connor (Sean Fitzharris).

Tom has invited O'Connor to the house with the hope that he will become a husband to Laura, which would free him from his responsibility as the family provider. In addition to the cast, Jon Mack provides on-stage musical accompaniment and Alistair Follansbee serves as stage manager for the production

Beyond the casting, Moyse said the stage conception he and production designer Colin Grube have devised promises to be a completely new experience for audience members who may be familiar with the Hooker-Dunham's theater space. Though he was reluctant to reveal much beyond an affinity for funhouse-style mirrors that “bend the way we see things.”

“In his foreword to the play, Williams wrote of the need for a new 'Plastic Theater,'” Moyse said. “Traditional plays with traditional sets are a thing of the past, according to Williams, and the artist's mission is to get closer to the truth by whatever means they can.”

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